Archive for category The New Writer

Worlds Watching.

          My books reflect the difference between peoples in this land, and they draw from my experience of growing up at the tail end of the peace and love generation. I have lived through the seventies, a generation I have to admit that although slightly wacky, was actually one I very much identified with. I felt great sadness as we entered the eighties and nineties, as I witnessed the slow decay of a way of being that for me seemed like the only way to live. For the last three decades I have seen with my own eyes, how money and power have crept into society and replaced friendship, and community spirit.

            The world of Mason Knox is not very far from the reality we live in today, and those years of the woodland attitude in my mind are now very much a distant memory. I suppose like all writers, and although in many ways I am still very much at the start of my life as a writer, I do have the added benefit of being able to look back on 40 years of life and report my observations via the stories I write.

            The events of recent days, which has seen a large volcano in Iceland erupt, spewing massive amounts of ash into the atmosphere, has again brought to mind the very reasons that I divided my world in the ‘Heirs to the kingdom’ series into those of Mason Knox, and those of the woodland family of Lox. I very much think that if Mason was indeed a real person today, he would be investing heavily in hotel stock as he grabs an opportunity to jump on the gravy train that is the suffering of those left trapped in foreign lands with cancelled plane flights. Across the world Humanity is being trashed, as the greedy owners of hotels charge up to ten times more per room, per night, to line their pockets from the misfortune of those who are stranded. Today it feels very much like the stories I write are closer to that of the reality of the modern age than even I realised.

            In the past, one of my critics has labelled me a hopeless idealist, and in some ways I had to agree with them, but I also think I am very much a realistic thinker, I have sat for years talking and watching the world around me. It does very much appear at this moment in time, that for Robbie and Runestone, and a great deal of people who read my work, do hold that ideal of family and a peaceful life close to their hearts. I have not met many people who do not dream of a peaceful; and fairer world, where everyone lives in harmony, yet I find it ironic that as a teenager campaigning in the seventies for such a dream, I was scoffed at and ridiculed, yet here I sit each day answering emails and talking on social networks to those who have read HTTK, and they too seem to identify with the themes of my story and dream of the same things for their lives.

            As I sit here I am reminded of my character in the Lost Sword of Carnac, (HTTK Book two) named Fuse. When asked by Robbie what the modern life was all about, he gave his impression of the world he lived in (Today), and in many ways his view of the world feels very apt today, even though it was first written in 2006.  It is fascinating for me as a writer, and as an observer on the world, to see how the story of life in the real world compared to the lives of those in my imagined world pan out. No doubt there are many more chapters in both to follow, and with luck and good health hopefully you can enjoy the journey beside me.

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Should certain topics, limit a writers film freedom?

In today’s Telegraph ( Thursday 17th December 2009) online you can read an article by Tim Walker, which reports on the decision to drop the filming of the next two films of the Golden Compass, based on the Dark Materials series written by Philip Pullman. It’s worth having a look at it, http://www.telegraph.co.uk/news/newstopics/religion/6829805/Philip-Pullman-disgusted-over-claim-Catholics-torpedoed-films.html.

I have read other posts over the last six months that just speculated about the possibility of the films being dropped, but it was not until today that it became final. I read the article in utter disbelief, as the consequences of what this meant, began to sink slowly into me. I have to say that I have no problem with peoples faith or beliefs, and I am not anti religious, I have always lived my life my own way, and I hold my own belief’sas private, and respect others, so within this subject I feel neutrality towards both parties. I am however a devout believer in the freedom of speech and expression, and will stand up and defend those who liberties and rights are removed. The ability for an organised religion to campaign and apply so much pressure to the producers of a Hollywood movie, to the extent that it is taken out of production, in my mind is wrong. Oh it feels so wrong on many levels, that it had me shaking in outrage, and as you can see has prompted me to sit and add this to my blog.

Philip Pullman is a self proclaimed atheist who I just happen to like his books, and he has fallen out with the church, its no big deal I hear you say, and I must admit on the surface it does appear so. What has caused me the concern and my reason for speaking out, is the underlying consequences of this below the surface, as I shall endeavour to explain.

To the Catholic Church of America his works go against their own beliefs, and yes it is easy to understand how a writer who challenges the ideas of their religion is a threat, because at the end of the day, let’s be honest, no one wants to hear something that is anti their view. But by that very same yard stick, Philip Pullman has the right to say what he feels is his belief and whether church agrees or not, they have to accept it. The lynch pin here is a minor part of our life in a democracy, and it is here that my feathers got ruffled, because this issue in my mind goes right to the heart of our most ancient of beliefs, we have the right to freedom of thought and freedom of speech and expression. I feel very strongly that this is an issue that is nothing at all to do with religion, but absolutely everythingto do with a writers basic right, of being able to express a series of thoughts, no matter what the subject, on paper and have it published. For writers that has to be a fundamental part of what they do, I know of no writer who would say no to having their own work portrayed on the big screen, if the Catholic Church of America  have used their powers of persuasion to halt the production of the two remaining films, then a very dangerous precedent will be set that could reverberate through the film industry for years to come, and hold some pretty dire consequences for writers.

Can you imagine the result of a victory for the church? It frightens me on many levels. At this current moment in time, one of the hottest movies is part of the ‘Twighlight’ saga, a film that depicts the love between a human and a vampire, I must admit I have not read any of the books, because at this time I am writing my own work, and tend to avoid reading, so as stay in touch with my own characters. Never the less one would question if Stephanie Meyer could be next on the church’s hit list? Most fantasy contains something that would be deemed unfit by the church, as does the horror genre, will this lead to film projects being scrapped because it does not conform to the view of organised religion? This whole issue goes beyond the belief of an organisation pitted against a writer of one train of thought, its seeps into the fabric of our liberty, and I might add, I find it all a tad insulting that the church can tell me what I can and can not go to watch.

The church quotes the exposure to atheist views by the young as its central argument, but it has already been announced that the script was changed, with the approval of Pullman to use the term ‘Magisterium’, which does appear in the books, to imply a fictitious organisation, and move the issue away from the church and religion. I have seen the first film, I love the Dark Materials trilogy, and it comes across to most people as an organisation that perpetrates evil, there is no hint of religion in the finished film. So what more can be done by the film makers and Philip Pullman to appease the church? Let’s be honest if the church really is worried about its image, could I suggest it took a long hard look at the history books available in every school, I think if it wants to find a source of damage, it need look no further. The whole of history is littered not just with Christianity, but wrong done by all faiths in the name of their faith, there are no clean hands wherever you cast your glance. Like every writer I rattle along on the keys and build my story. I have characters who hold religious beliefs who do bad things, does that means if I ever get into the mainstream (Lets face it I am still a long way off) then any hope I would have of turning heirs to the kingdom in a series of films will be dashed because of a few lines some religious group does not approve of? Its very dangerous ground, and not one that anyone should tread lightly or settle for. We must shout with our loudest voices and let Hollywood hear us, because if these films are not made, then maybe mine and many other writers chance’s are already doomed to never being watched in a movie house.

At the end of the day, those who will lose out will be you and I. If the church sets a precedent here then the future of fantasy and horror as films is bleak, and the fans of the books will never see a celluloid rendition of those books we have loved and adored. The saddest thing about all of this is, the film is only ever going to be a watered down version of the books, no matter how good a film maker you are, it is impossible to get a whole book into two or three hours of film. The books are out there and have been there in far greater detail for years. They have sold by their thousands, a tribute to the talent of Pullman’s writing skills, and the efforts of the church are wasted, because those precious little catholic children and the rest, have already read the books. All of this just seems to be a little like shutting the stable door, after the horse has bolted, so why ruin the future of film?

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Modern Books (The Digital Age)

I think it is safe to say, that  I am to all intent and purpose, a very simple sort of person. I live what is a very normal life, or as normal as could be, and have spent the last six months of my life absobing and watching the book trade. I would like to think that my musings here on the blog, very much reflect the thoughts of many who find the whole industry confusing, and for those who have no idea at all about the world of books, I hope this is a little more enlightening for you all.

Having now released two books in one year, and studied all the media, I have begun to form my thoughts on the world of digital books. For myself this has not been the easiest of subjects to follow, as I know very little of the technology used to create and even read these things. But as I have watched, and I have noted the long debate that has been played out in the media over the last half of this year within the publishing industry. Here in the UK, there does appear to be an entreched view of E Books, most of what I read does very much seem to reflect a reluctance on the part of publishers, to produce the digital versions of the books until the hard cover copies have been well and truly sold to death. I have seen a few posts on the many blogs across the net, on how they fear digital will bring about the end of the world of books, and publishers to their knees. 

I decided to have a look at one of these applications, and a few days ago I visited the site of Mobypocket. I do not as yet own a reading device, although I quite fancy having a play with a Sony reader, or a Kindle. I do intend to visit my local computer store soon, and see if it is possible to actually have a trial, to see how I feel about them. The Mobypocket site offered me a free download to enable myself to read a book on my laptop, so I gave it a go, and I downloaded the player. I will admit openly that my curiosity was inspired by the fact that my first book has appeared in digital format on their site, so naturally being the nosey type, I wanted to have a look at it, and to my joy, there was a free extract that I have downloaded, and had a look at. 

My first real thought was, “This is not a book.” I does not feel, look or smell like a book at all, well no I hear you say, its on your lap top. I can actually curl up in a corner with the lap top, but its not the same as holding a book, although I would imagine the experience with a reader, such as Sony or Kindle could very much be the same. I love the feel of the paper and so for myself I found I was at first a little dissapointed, but I will quickly add, the reading experience is actually very good, and I did find that I warmed very quickly to it. After a great deal of thought, I began to realize that in many ways if anything, the difference between the book reading experience, and the digital reading experience were actually so different, they should not really be compared, and niether should those who use them. I felt that there is a fundamental difference between the two, it is easy to see why people are attracted to both. I began to wonder if printed book readers would continue to read their prefered format, and digital readers like wise, which does begin to open up your thoughts to the point of view, that actually there may be more room than first realised for both types of reading experience. I can not imagine a time when I pull down bookshelves and replace everything with a small pocket size electronic application, but I could see a time when I use a digital application to aquire a book that has gone out of print.

Surley there is room for both, and if so, why is it the publishing industry is making such a song and dance? From my own point of view, I can now see that there are those out there who embrace all modern technology, and to be quite frank about it, if I do not digitize my books, I have no hope in hell of getting my work to them. By the same chalk, I also need to continue production of printed books, for those who like myself  prefer to read a real book.

My first book has only been digital for a short time, yet I have sold a few copies, I am pleased as I get my royalty, and the publisher is obviously pleased, as he gets paid for the copy. This is where I think the real reason for the publishing industry to drag its heels lies. Most authors receive around £0.50 for every copy of a book sold, they get the same royalty for a digital copy. I know its not much, but that really is the industry standard, my friends were as shocked as I was. My first book was 209,000 words long, Ok its a bigger than normal paperback, and it is a good thick read, its RRP was £15.39. Yeah I thought it was an odd price too. The fact remains that its a POD book (Print on Demand) and so yes, because it is printed in smaller quantities, the price is a little higher. I am the author so yes I think it does provide good value for money, it takes a while to read, but that is a bonus, and I can not knock the quality, it really is of the highest standard, and will last for years. I hope by now you see where this is going? I get 50p, the printer gets paid, as does the wholesaler and publisher, and at the end of the line, the seller. With every addition the price goes up, and those in the loop do rather well out of it. The industry is making money, and I might add quite a lot of it.

The digital version of my first book (Paper back £15.39) is available as a download on Mobypocket for €6.00, the EPUB format books, will be sold dirtectly by my publisher for £4 to 5.00 when it is released later this year, I am lead to belive that the Kindle version will be somwhere around $9.99. Come on keep up, I realise I am working in different currencies, but the difference as you can clearly see is quite vast. I still make the same royalty, so in real terms I am actually getting a pay rise, as my percentage of the total price is higher, but alas proportionally everyone else who has been making quite a lot of money off HTTK, are getting less. I think the point is very much proven, digital media, is actually one hell of a lot kinder to the author than the rest.

I personally feel that the industry needs to be given a good shake up, there are many levels within the industry that do appear to be anti writer, simple submissions are the hardest things on earth to do, because no matter how well you write, if you are new, no publisher will spend money on an advertising budget for you. Follow the money always and then I think the truth reveals itself. There is one fact that is set in stone, and whether a publisher buries their head in the sand or not, it is not going to change. Digital media is here, and it is being embraced by a lot of people. Those people want books available to them, and as with all business’s it has to be supply and demand, The question I suppose the publishing industry is asking itself now is, do they supply? If they do not, I think we could see the end of traditional publishing as we know it, what I do know from years of running my own business is this much. If they do not respond soon, they may well find that a lot of retailers will have cut them out of the loop altogether, One only has to watch the rise of Amazon to see that. Like all business giants they too will have their rivals, I just wonder whether it will be publishers, or someone else.

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How do you actually write it all down?

This is a great question, and one I have been asked a few times, just recently I was again asked by a twitter follower, and its not easy getting it all into 140 characters, so I thought what the hey, lets see if I can blog it.

I think if you were to ask 1000 writers just exactly how do they write, you would possibly get 1000 answers. The aim of this blog has and will always be how HTTK came about, and how I was able to write and publish my story. I am a new writer in the sense that I have only just started publishing, but I have actually been writing for many years, again I have no idea how everyone else does it, I can only tell you how I do it. I have never really thought of myself as a writer, I am just someone with a wild imagination, who loves to write, so how I approach it is relatively very much a selfish pursuit. At this very moment as I write the rough draft of what will be published here, its a Saturday night, and most of the people I know are at the pub, or a club, and yet here I am planning another blog page, see what I mean? It may be considered sad, but this is my idea of fun, I love the feeling of stringing together words, and even though my books and blog are pretty much unknown in the world at large, I still feel the thrill of tapping the keyboard.

There is a wonderful feeling about having an idea and just sitting and looking at what is and what isn’t possible. In some of my earlier blog posts you can get an idea of how I approach this (Living with characters, A new world etc.). notes are made and ideas scribbled on many pads, and then from the vast pile, I try to find a logical order to run the story or idea. If I have a good gut feeling for the story, at this point I write bullet points. For the Bowman of Loxley my first book, I kept it very simple. for example.

Loxley is hard to find, even though its a fortress.

Robbie is restless, feels caged, loves Rune, is too nervous to tell her.

Billy is not really his brother, but was taken in ten years ago by his mother Jess. (Billy loves Alice, the cousin)

Robbie is great with a bow, and has an unnatural gift, Leenard has heard about it and in a chance encounter invites Robbie for coffee.

Robbie senses there is more to Leenard than meets the eye, Leenard feels the same about Robbie.

Leenard asks Robbie to give Rune archery lessons, Robbie is thrilled but a little worried, Leenard learns more about Robbie during their meeting, and finds out what he really knows about Loxley life.

The above is copied off my notes pad, and what you see has now been published as the 10,000 word chapter that opens the book. OK if you have not read the Bowman of Loxley at this point, you will not quite get it, but a quick visit to the Heirs to the kingdom web site, and a click on the books page will put you on book one, where you can indeed read the chapter via the Bookbuzzer widget.

The important thing here is, that just a few lines, became 10,000 words and the way I achieved it was to actually write small pieces that focused on each of the line headings. I saved each file in a folder on my computer, which I have labeled “Bits Box”. This folder contains a short written version of every idea I have had about this particular story. All are given titles that I can easily recognise, and so when the time comes to put a chapter together, I sort the files into order, and simply cut and paste them together, leaving a double line between each small piece. Its a very simple operation, and all I have to do is then read through carefully, and fill in the gaps with extra description and detail to connect each part of the story together. A friend of mine refers to it a quilting, and I think that possibly is a good description, because I do sew each of the parts together to make a whole.

Once I have put together the crude first draft of the chapter, I then sit and read through it making changes to make it flow. I add and subtract until I think I have the chapter pretty much as I want it, some chapters take an age and others fly out like some demon spirit being exercised, it can be a strange experience, but I find it to be highly enjoyable.

Every chapter is stored as a separate file, and only when I am absolutely happy with them do I do the first cut, which is usually blocks of five chapters. I never cut the whole thing together until I am happy that each block of five reads smoothly, the editing does take an age, as I go over it many times constantly making subtle changes, and adding new ideas. For myself the story occupies my thoughts more than I would care to admit, I am constantly thinking of what is already down and looking for ways to get it better, I tend to visualise the story as pictures and run it through my mind, almost like film to see if it works. The thought process of HTTK has occupied the major part of my mind for well over the two years I have been writing it. I have read endless piles of books on how the Celts lived and how they lived off the land. I have consumed folklore of the UK by the cart load, and noted anything that might help improve the story, and so when I sit eating my tea, or not really watching the TV, all this information washes around inside me.

It might sound strange, but I can only really describe it by saying, eveything I have studied, or written down, mixed with the notes and all my thoughts gets stored like a huge filing system in my subconscious, so when I do sit down with my bullet pointed ideas, and actually start to write, my brain just seems to explode, and out come the words.  Its a thrilling exciting process for me, I type with huge speed and make loads of errors, but I just let it all flow out on to the screen until its done, and that’s when the editing process starts. There has been quite a few occasions when I have sat back having read the first rough draft of a chapter, and I have stared at the screen in wonder, and asked myself, did I really write this?

It is hard to explain it in words, themes appear that you never meant to be there and characters take on a life of their own, but I am alone in the room and so I know it was my fingers hitting the keys. I can only describe it as the preparation and long hours of thought before hand, that I think primed me for the writing , so I make my corrections and add to the bulleted list for the next chapter and then my thoughts turn to that task, and slowly but surely, one chapter at a time I put together my books, then it is time for the first five chapters to go to my readers group, and I begin the editing all over again, as I gain their insights to the story. Finally when all the blocks are as good as I think I can get them, I cut and paste it all together and for the first time, I read the story in its entirety, that is the moment when I know I have another instalment in the series, although I have to confess, it will get proof read many more times before I am fully happy with it.

This may, or may not make sense, its how I approach writing, and may not work for everyone, it does for me and so I stick with it. I think at the end of the day, all writers like actors or sportsmen, have their little rituals to help them, find yours and if any of the above helps, then please use it, and enjoy what you write, for it is a great pleasure for myself, I hope it will be for you…

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Life on the Keys.

I have now reached that point in the year where I have managed to stumble and fall through the world of a writer for four months. As I sit here and look back at it, I feel that I have been on a bit of roller coaster ride, which has taken me at huge speed into the sharpest learning curve of my life.
I smile at times when people talk, and they really do think its so easy to just sit and write. They have that, “it’s not that hard matey” look, as they talk and I sit here thinking back, I can only say that I have possibly worked harder and longer in the last six months than ever before. Quite a statement considering I have worked in horticulture for most of my working life. To throw a little light on my life as a writer I will fill you all in on what it is exactly that I do, once again I will take the opt out clause of stating clearly, this is how I write, I cannot speak for others.

I began many years back with an idea for my story, I actually have a pile of ideas, as I do keep a note pad handy at all times. The brain is never switched off, and ticks away 24/7. Once the idea was set I began to write down all my ideas related to what I thought the story could contain, please take into account this was a very long process that lasted years, and consumed 100′s of pads. The notes were vast and included such things as characters, places, types of magic, evil acts etc…

Once you have this cabinet of information filled with everything you think may be required, then its the task of sorting it into what appears to be a smooth flowing order. In my particular case this also included having to write a whole past history, so that in the current books, references could be made that were realistic and beliveable, and most importantly consistant. My books begin in the year of 2038, after a worldwide disaster in the year 2012, and relate all the way back to the year of AD421, see what I mean about a history? I have a full account written on around 1000 files that chart the history of every character from AD421, right up until the year the books begin. Its a lot of work, and also because I have played around with historical facts, I have had to spend thousands of hours reading history books and searching the net, to ensure that the facts, albeit slightly blurred, are still very credible. I have to admit that for myself its been a wonderful experience, I never actually intended to publish this story, it was just me playing around and having fun. I know, I should have gone out more, but hey, I am a little geeky and yes this is my thing.

Having established the notes and the facts, which I have been doing off and on for 15 years at least, in 2007 I began to write. I have now spent two years of my life writing and imporving none stop as I create the series Heirs to the kingdom. Once again it has been a joy to do, it was incredible fun to see the readers group I worked with in the earlier days, as they got into the charcters and digested the story, and although it was not the easiest thing in the world to achieve, getting book one finally published was indeed a very wonderful moment. I would at this point offer a word of advice. never try to publish a book whilst building a web site, just after having a new baby and working around 19 hours a day.I did and I was stretched to the point of exhaustion and confusion, so much so the first file I sent to the printer was indeed the wrong one. A book with errors is the kiss of death, one I am hoping to survive.

All writers make mistakes, hell I have made many, but the critics are a beast of huge power, who will hunt you down and kill you dead. I noticed my mistake and very quickly updated the file, but belive me these savage beasts of morals and high self importance, smell writer blood across the internet like a wild bush fire. I have to say the least, had my share of attacks, but bugger them! I was knackered at the time and made a daft mistake, which I have worked very hard indeed to sort out and correct. Something that did amuse me, was the fact that those who decided to try and chew me up and spit me out did not show up on any author search done across the entier net. I wonder are these self appointed standard bearers of snobbery and literary credibility, just a bunch of failed want to be writers, who have not the spine to endure the kind of behaviour they themselves dish out with relish? mmm me thinks so. I pay them no heed, those who want to read what I write, are my only focus, so let them vent their spleens all they like, I could care not one jot. If just a small handfull of people read my work and escape their lives for just a small time, as a writer I am happy and will smile.

The writing for myself is fast. I sit at the computer armed with notes and research, and my mind filled with endless possibilities, and out it all tumbles. Most of the time I am only vaugely aware of the words as they hit the screen, as my mind races at least three or four lines ahead of what I can see, and my fingers do their best to catch up. the result of the session is one of exhaustion, as I hold all the key factors in my mind as I weave the story together. It does require huge amounts of concentration and a large degree of silence, but when it is done and I sit back to view another chapter, although very tired, I feel a huge sense of accomplishment and actually feel really chuffed. It is at this point I collapse into bed and fall into the sleep of the dead as my mind shuts down to recover and recharge for the next intense bout.

The following day armed with copious amounts of coffee and cigarettes, I sit and read through the first draft. I think my old English teacher would scream with fright if she read it, it has many mistakes, but that all important text in its crudest form is there, and so begins the process of improvement. It is in this phase of the writing that the story is checked and double checked, as I ensure it all is in sync with everything else written. This is actually the longest part of writing the chapter, and I can do anything up to 100 edits on each chapter as it is read time and time again as I tweak it to fit with the rest of the work as a whole. I save each chapter as a single file, and it is only when I have written everything, that I finally cut all the chapters together and view the new book for the first time.

The following is usually months after writing the very first lines of the book, and it is now the time when I sit and give the book its first full reading. Every line has to be checked, and it is here I do more trimming and add more detail if it is required. Once I have completed the process, I hand it over to one of my proof readers, and they begin again with their highlighters noting their points and spotting any errors not caught by myself. Proof reading is boring, the book is not just given one reading, I have read every book I have written over fifty times, and spotted a mistake or error every time. People do not realise how hard it is, you have to note, that I know the story backwards. There are no surprises in the story for me, as I wrote them, and like it or not, it is a chore to read again and again, because I do know whats coming and I hold my hands up and say very clearly, its as boring as hell and yes, I lose concentration and miss bits. The book is returned from the proof reader covered in little yellow patches and I once again start the endless process of correction, I read it all again, and guess what? Yes, he dances with delight, I found some bits the proof reader missed, Yay! the joys of being human, Its a wonderful feeling to see we are all the same under the skin, well except the critics of course, they know how perfect they are?

The very simple facts are hard at first to believe. I began HTTK back in the mid eighties, and today in the year of our lord 2009, I am still at it with some way to go. I have spent almost three years writing the same story as a series and although I am a lot further ahead of what is being published at the moment, I am still reading the books over and over. I began with the first book and have written them back to back with very few breaks since I first started, that is almost three years of none stop writing, I am still working on the most recent book, and at the same time reading book two for about the millionth time to ensure as I approach the date for sending it to the publisher it is a spot on as is humanly possible. The weird thing is, it will still have a typo or two in it, that is the wonder of the world of humanity.

You now have some idea of my working approach to writing, and I do know that this is similar to some of my friends who write. The wonderful thing that does amaze many, and is the strangest fact of all is. That out of the huge amounts of money passing through book sales every day, your average writer gets paid just £0.50 for each book they sell. All that work comes down to just one half of an english pound for a copy of the book sold, not even enough to purchase a loaf of bread. Most writers seldom make more than two thousand English pounds on a book, it is a very small handful of writers who actually make a good living out of it, so why do we do it?

I can only respond buy saying that for me, the whole process caters to some deep internal need. I need to write, I need the process of putting words on to paper in my life, I do not need to publish, and to be honest 98% of what I have written will possibly never see the light of day. I was encouraged to share HTTK with the world, I actually am still torn about whether I should have done it? Being published is hard work, its emotional and stressful, and It does not sit well with me, but I listened to those around me who wanted to see my work in print and its now out there. I started and so I will finish, but will I continue to publish? That is a question for now I cannot answer, I will most certainly continue to write, I suppose once HTTK the whole series is out there, I will decide. Until such time I will continue to share my thoughts and experiences with the rest of the world, via my blog. Until my next post enjoy whatever you are reading at the moment, and if you spot a typo, smile, they have done everything possible, but it got through.

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Are publishers their own worst enemy?

Each morning of the week I get my electronic copy of “The Bookseller”, They are decent folk who send me via email a breakdown of many of the online articles about the world of publishing. As you can imagine this year the forecasts have been somewhat gloomy and if I might say, a little alarming. It is easy to see why book shops are panicking and not stocking new titles, whilst they compete by stocking the so called blockbusters.

As I have already written in previous Blogs, many new writers are turning to self-publishing, which is to be honest a very difficult route to take. In my mind the question I would pose would be why, when you look in the writers year and see hundreds of publishing firms? Once again I return to previous comments about how it appears that the whole of the publishing industry is hung up on celebrities, and looking at the bookseller this morning I have been given yet another reminder of this.

I have just read an article in ’Variety’ and I think it is worth having a look at it to understand some of my points. www.variety.com/article/vr11180006746.htmlit is titled ‘U.K.shows hit the books, by Leo Barraclough.’ The article is a really good example of today’s thinking as the publishers run for the cash cow, whist walking over huge amounts of talented writers. The article quotes. “Every one of the top 10 hardback non-fiction best sellers in Blighty last year was written by an entertainer.”

Its scary for us poor old writers, its bad enough that we are on mass fighting to get our own creative work into print, now we have to face and fight the entertainers as well?  The sad truth is that just about every TV series on earth has a book out, on top of that the stars are writing their autobiographies, and the book shops are filling up fast with them, but please when will this stop? What has happened to the good old days when the publishers took on a writer and supported them, and created their own breed of celebrity? What is with this obsession to use those already made? doesn’t the publishing industry have a duty to those who are writing creative works? We all know it can be done as the list is endless, JK Rowling, Dan Brown, even in more recent times we have seen the overnight status of Stephanie Meyers rise higher and higher.

If publishers are looking to TV and celebrity biographies, they are not looking at new talent, I find it concerning that this year alone we have seen the deaths of some wonderful fiction writers, but who is going to replace them? Publishers at the moment seem to be worried that books sales have fallen and profits are down, no offence chaps but look at what your churning out, its not exactly awe inspiring, its a part of the market, but there are so many genre’s of books that appear to be getting lost in the lack of the media spotlight. The rich and famous are already rich and famous, leave them be and give a little more time to looking at the wealth of talent going through hell trying to get their own works in print. I find it disturbing to think that if C.S. Lewis or even Tolkien were new writers today, the odds are high that unless they did a TV show, we would all be deprived of their work, it a thought that is some what sobering and sends a cold chill down the spine, don’t you think?

I have to confess that I somehow feel that as the publishers complain louder and louder about how rough things are, I can only help but feel they are fighting themselves as their own worst enemy’s

 

Many thanks Leo Barraclough. Variety.com for UK shows hit the books. article vr1118006746/Friday Jul 31st 2009.

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Demand But Low Supply

One of the most rewarding experiences about writing a book, has been the support I have found from people all over the world. I began my building up of my profile on Facebook and soon moved into the other social networks, to give everyone an idea of what was to come. The response to be honest has been overwhelming and just for example, I have people who I have never met in person who have joined my page and become fans. Its a heartwarming experience as you see the fan list grow and you recieve messages from people wishing you luck, and also expressing their excitement as the publishing date moves closer. The release of my book the first in the series of Heirs to the Kingdom was to be a wonderful moment, and sure enough as I saw my own work  in print the excitement was to say the least, explosive and tearful. But the honeymoon does not last, and what was a moment I will never forget, has now become a battle of pure frustration.

From the moment you publish, you become caught between the devil and the deep blue sea. On one hand you have the plight of local and independant bookshops, and the large chains, then of course you have the onlines such as Amazon. If you favour one more than other you are in trouble. I built a web site to promote my books, this Blog is actually a part of it as the name across the top of the page shows. The site went live on May 1st 2009, it was half built, but the book was out and we watched as the site began to get hit. I had after all loaded it with extra facts and been shrewd enough to let all the social network sites know it was out there. There are adverts for Amazon, and also across many of the pages, there are little messages that show a large amount of support for all the local and independent shops. I use twitter a lot as it is a great way of letting the whole world know what the book is about and also where it is available, and yes I do mention Amazon, and my publishers outlet as well as trying to encourage local shops, and I also mention the website.

I feel that the coverage given to all parties is fair, as an Author I want bookshops to thrive and I have been an avid supporter of local shops all over the place for years, I have a huge collection of books from which a very large percentage are from local shops, I also have a good few from the larger book chains and I also buy online. I feel I have spread the wealth to everyone, in a bid to be fair and supportive to all. But you know what?  Its impossible to be seen as fair by any. Its frustrating and to be quite honest, dam well annoying. I mentioned Amazon on twitter and the indie bookshops cancelled their follow, why is it such a crime to show equal respect to all?

I have had over 125 thousand hits on the web site in the first two months, thats more than I ever dreamed of.  These are all people who have taken the time to log in and look at the book becuse they are interested in buying it. Previous Blogs on this site have stated my experiences with local bookshops and the general book industry, but today I was told that unless I back my book with huge figures for advertising then there is really no hope of me ever getting my book on a shelf of a chain or a local bookshop. It just boggles my mind and leaves me lost for words. I have a web site that is being hit by a world full of people who want the book. 70% of them at the moment are UK based, and yet even though there is a demand to read my work, I still cannot get it on a shelf. I have to ask. Does this make sense to anyone out there, because if it does would you please explain it to me?

I have worked 24/7 for two months flat since the book was released and have been relatively successful, I mean in all honesty I know the Bowman of Loxley will not make the best sellers list.  Still there is a demand that would make a substancial difference to recouping the expense of all the printing costs and also the amount of IT software I have purchased to promote the book. Yet the shelves remain empty of the violet spine of my work, and the one company that has supported me, who to be honest I have used least in the past is that of Amazon, who lets be frank, has taken it’s fair share of diggs over the years.  I hold up my hands because I cannot fault them, they did stock the book and they have sold copies. The locals who I have supported as you already know, have been far less than helpful, it does make me wonder how many really wonderful books are out there not being sold as their authors are self published or new. All the joy of having so many people who have read and adored my book has been tainted by the knowledge that all over this planet are those who want to read it, but never will as the bookshop does not stock it.

I read the publishing press that is screaming for more book sales and I am lost for words and frustrated beyond belief. If you have a solution or a suggestion then please you tell me, because for now I feel after two long hard years of work, I have ended up dead in the water through no fault of my own. There is a demand for The Bowman of Loxley, the social networks are talking about it, but those people are being denied a chance to purchase. I have emailed and written in vain to the large chains, their silence is unbearable, at  least the locals just say no your a risk, I don’t like it, but it’s honest.

I have no choice but to continue and fight for those who want to read what I write and no doubt here on this site which has more views than I have sales, hopefully I will be able to tell you all of what it is like being a new writer in this strange world…. please call back and find out.

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We can only Read if we have the shops.

I was saddened today to read about the closure of another local bookshop. Lost in Fiction was a relitively new book shop opening its doors last September to the people of Glasgow, yet it will now have to close very soon, They posted that they were finding it hard to meet their costs, and a result they are forced to close. I grew up in a town that had a few bookshops and for me they were wonderful places of adventure and fantasy, I love the smell of all those new books on the shelves and the row after row of spines in every colour of the rainbow, painting a scene like a bar code of utter delight. It is heartbreaking  that today my home town has no bookshop, and I cannot help but feel that because of it, many of the people where I live are missing out.

As a writer it is sadder that I will never see my book on the selves of a bookshop in my own town, and because of the high costs of now running a shop I am sure we will lose what I consider to be the treasures of our highstreets. I am at this moment trying very hard to get my book ‘The Bowman of Loxley’ onto the shelves of bookshops locally and nationally, and to be honest it is a hugely difficult task, it is not helped by the fact that in the publishing press there are those who hype up each change in a publishers situation and I do think that some of the hype is damaging our wonderful bookshop tradition. Many of the shops I have spoken to are under huge pressure brought on already by the economics of the world, It is something as an ex shop owner I understand, although with myself it was a Garden shop. Being on the high street and the markets I have seen the change in the way that people are spending their money, and there is no doubt that people have a lot less than five years ago, but the thing that has been highlighted more than anything to me is the rise in rents and rates of local premesis.

Most new business can not afford the mind blowing costs of a shop, and those who have supported us as customers for years are feeling the pinch as they struggle against what is an overwhelming series of costs. Local government has done very little for small business except hit it harder and harder, the hype in the media about current finacial pressures of our governments is adding to the pressure, and to be quite frank, as a writer trying to self promote a book, its an overwhelming task as bookshops are now cutting back and going for what are seen to be money earners. I am a new writer and not seen yet as worthy of stocking as I do not have the reputaion of the JK’s and Dan Browns. I feel it will take me far longer than I ever thought to get my book in every fiction section across the country, if ever?

I cannot blame the local shops for not stocking a new writer with no reputation, they now are under such pressure that every inch of their shelves has to count in a big attempt to face those overwhelming costs, but what I can say here and now is this. If like myself you love reading, then consider the delights you have had all your lives going into these wonderful little places and eyeing the shelves with joy. The next time you want a book, then do your best to visit yours, because if you don’t you may find the closed sign up permanetly and the window empty the next time you visit. You may pay a little more for the book than your local supermarket, but a good bookshop is worth it. They are an important part of our heritage as a big reading nation, over the years long before the supermarkets became interested in cornering the market, it was the local bookshop that filled you with joy, made you weep on occasion and carried your imagination into lost worlds and new realms of adventure. Just think of the delight you have had in your life, and reward those who gave it you when you were younger. Each time a bookshop closes, your town will lose a small part of its identity, so please take it from someone who has shared that wonder, and give them your support.

Never forget that your local supermarket may be cheap, but you will never find that little literary treasure in there, I know of so many amazing and life changing books that could only ever be found in that small specialist bookshop with comfy corners and staff who cared about the written word and about providing you with those pearls of wonder. A really great book from a local shop will cost a few extra pounds, but just think back for a moment and remember those cherished moments we have all shared curled up somewhere at home or on holiday lost in the pages of a magical story. It really is food for thought…

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Print on demand. My experience.

As a new self published author, I have obviously learned much in my short time, and one of the things that I have encountered a few misunderstandings with is the term “POD” or as we all know, or you will shortly, “Print on demand.”

I actually think that as someone who is passionate about recyling and trying not waste anything, that POD is perfect for the job of book production. I am not alone in this view, as it is actually a very cost effective tool for the production of books to the market. If I am honest, I think it would be right to say that there are many discarded books in this world that have come as a result of over production from very optomistic publishers attempts to create a large selling book. A mountain of paper must have been used in the past to create books, which lets say, did not quite live up to the mark and for one reason or another did not sell and ended up stored in a wharehouse.

Business is at its core a supply and demand thing, so it makes perfect sense to provide a book printing service that is catered to that very point. You order the books of your choice, they are printed and posted straight out to you. Its good sense right? Considering the current finacial climate it makes even greater sense, as it actually is a way of cutting down on the cost and maximising the profit.

So why is it when I walk into a bookshop, and begin to make my sales pitch to the shop owner on my own POD produced book, that as soon as the words are spoken, they frown and give me a look that would suggest they have tasted something foul? It makes no sense at all, here I am a new author with a great book (Not my words, but those who have read it) using modern technology to produce it in a way that is good for business and good for the Earth, and they then begin to treat me like I am infected with some sort of virus, I have witnessed my own book (You know the labour of love and devotion) actually dropped on the till as if the devil himself was about to flow out from under the cover and attack them. I think at this point I should raise my hands and state cleary for the record, I have no wish to offend, or create a stampede but, What the hell is wrong with you people?

New writer or not, I trawl the web as I attempt to self promote my book, which does involve reading huge amounts of stuff, a lot are articles from the writers and publishers world. I seem to read a lot of whining and bitching about how unfair the trade is and how it is hard for indepandent bookshops to survive. No offence but drop the snobbery. I love bookshops, like every author on earth, we love them with a passion, the smell, the feel, the personal service, its manner from heaven to all of us, But HEY, get with the plot. POD is not only the chosen process of many self publishing firms, its also now becoming the focus of quite a few larger publishing firms, Read your Bookseller. I would also like to add that it is also the future. Paper backs are being squeezed by the threat of digital books, and lets face it, if you owned a large publishing firm, wouldn’t you want to deliver the best book at the best price and actually make a profit from it. I realise I am new to this game, but hey I am not stupid, I have run my own plants business for years, and if I could have grown plants on demand I think I would be a hell of lot richer now.

Print on demand will become the future of the book trade, there are very few exceptions that would allow mass forward printing (Greetings Mr Brown) I would like to add that such was my concern I did contact my publisher as I was told by one bookshop, “Dont like em, they are difficult to return.” He informed “Its not a problem, every book we produce is returnable.” Phew I wiped the sweat from my brow, then I thought to myself, hang on, don’t return them, sell em. Its not positive thinking is it? I cringe at the picture of the shop assistant who half heartedly attempts to sell my book, whilst filled with the dread of knowing it might not go back if they dont.

So my message to you all is simple, get modern and get environmental, and get with it. Let us gather in groups in the corners of our local bookshops and worship at the altar of POD. its the future and as a huge reading nation we should embrace it, actually you won’t have much of a choice, as like everything in this world the big companies will dictate the future, and a book produced cost effectively with a good chance at clear profit will always lead. technology improves weekly and POD books are getting better and better, if you doubt this buy mine and have a good look at it, its simple beautiful, and not a bad read either.

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Publishing my first book.

Being a novice in the field of publishing is not an easy place to be. To be honest the hours I spent working on the book itself was a doddle compared to actually stepping on to the road of disappointment and frustration the publishing industry first set me on. Wherever you look it is always the same, and the list of how to get published books are endless, I spent a fair few quid on them and what they all basically told me was. “You ain’t got a hope mate, but thanks for buying the book, I am now a hell of a lot richer than you will ever be.”

Maybe I should have written an upgrade of the Year book, as that seemed to be everywhere I looked, the only problem there being, that my work is a work of fiction, and yes you guessed it 99.9% of every page stated clearly “No Fiction.” It felt like a minefield, and too be honest publishing I think is the most unapproachable field in any industry, talk about user unfriendly it makes the mind boggle.

It took a while but I soon began to see that the publishing industry is very much a massive collection of exclusive clubs and gangs, if you are not in the circle then you really are very much on the outside. It was hard and at times very daunting, but finally I summoned up the courage and began to send off my work. (Enter minefeild number two)

All the books I had spent a good deal of money on, had given me the ‘so called’  information on providing a synopsis and covering letter with whatever the publisher had stated, be it three chapters or the whole book, so with much enthusiasm I posted my manuscripts off and sat silently waiting with fingers crossed for a response.  The rejection letters followed and my spirits fell as they came back in droves, and remarkably they looked as if they had never been touched. What can I say I am synical at times and was not altogether sure that the companies who had refused my manuscripts had even read them. I decided on the following attempts to rub a glue stick down the edge of right hand side of the manuscripts enclosed, this did hold the paper together very nicely and only came apart if the page was lifted and turned as if it was being read. My suspicions were confirmed as yet more were returned, this time it was clear that they had not even been read, although I had some very nice letters of how this was a nice piece of work, but not suitable to our current range of books.

I don’t really mind being at a disadvantage, just as long as I am aware of it. Now I understood that I was actually being fobbed off by a company too busy to take the time to look at my work, which was fine by me, I just made a mental note of “I hope you go bankrupt” and moved onwards trying to combat the depression as I had people constantly nagging at me to produce the book, none of them seemed to quite understand that I was actually facing an impossible task.

I think I suffer at times from being a little slow on the uptake, After a year of rejections and feeling more than a little glum I understood that I was not about to get published quickly. I talked to other writer friends and felt some releif to find I was not alone, in fact I am surprised at how many writers are actually out there trying desperately to get their own works into print. What exactly are the publishing companies doing these days, because I know of, and have read some fantastic stuff, all of which has been completely rejected at least twenty times. Oh Yes how could I forget, none of us have written a celebrity biog or a how to do your house up and make buckets of money book,.Silly really we chose to write a serious book instead the endless reams of supermarket garbage we get shoved under our noses for next to no money. That really is the answer in a nut shell, consumer driven mindless fodder to be bought cheap, chewed up and spat into the nearest second hand book shop or charity shop, that is what the majority of the Industry has come down to.

With mounting pressure from those who actually wanted to buy my book, and a rapidly growing group of eager people on facebook, I decided to look at self publishing. I will state now if anyone so much as even says the word “Vanity” I will scream. I did look at hundreds of sites across the web from “we can do it for a couple of quid,” to the “just mortgage your house and you should be able to afford us ” companies. (Enter minefeild number three.)

The hardest thing about self publishing is actually all the hidden extras. I found a lot of companies looked at first sight like they were offering a good deal, It is true that you can get a book out for a small cost, but be wary, you have no idea how easy it is to fall into a big hole of hidden expenses that blast the cost of your book into the thousands. It is called Vanity at times which actually makes my blood boil. Answer me this, why is it so vain to want to publish something that you have laboured over for years? what exactly is the difference between myself and a conventionally published author? I had two years of having the door closed in my face by the publishing industry, yet I had people who had read the drafts copies of my book who were screaming at me to get it into print. In my mind I actually had a viable product, is it my fault the conventional publishers chose to ignore it? I suppose it is easy to sling stones, I have encountered a few who have looked down their nosies as I mentioned self publishing. I have taken a great deal of time to look into what is out there and it is staggering the amount of work available through the self publishing firms, maybe the conventional industry should start reading its mail before casting aspersions.

It has taken me well over two years to finally get my own piece of work into print. I have to admit I needed to learn a lot to do it, and having now successfully published my first book, I can see I have still more to learn, but that is fine by me, I don’t mind falling on my face as long as it provides a positive, and a chance to learn. I would say to everyone out there with work that is being rejected, dont take it to heart, just look into doing it yourself, but walk carefully. I see no difference in which ever route you take, opening that box and seeing a book with your name on it and being thrilled and excited, is a feeling you will have no matter which route you take. It is a little vain I admit, but show me another living soul who would not overjoyed to see their own labour of love bound in a sleeve whith their name on it.

The biggest drawback if you are going down the self publishing route, is the lack of attention you will get in the mainstream media, Here I am writing this in hope someone will see it. You have to be thick skinned and determined to get the word out, it is a relentless task of fighting your way in, one which I am currently in the middle of now.  At the end of the day does it really matter? Behind me on the book case is my work, I may not sell millions of copies, I might not even cover the costs of production, but hell there are plenty of conventionally published books for mine to sit besides. At the end of the day I will do my best and with a little luck, you never know. Time will tell, the thing is I did it, and I learned a lot.

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