The Arrival, and almost Departure, of Abigail.

It is funny really as I look back on what has been the most stressful and heart-breaking week of my life, and then cast my mind back to last year.

The rise of the Covid virus sent shivers down my spine, as I got to see something not unsimilar to the rise of the Red Death, and realised very quickly that my thoughts back in the mid 1980’s were actually pretty accurate, as an unknown virus swept across the world creating havoc. Back in March 2020, it was frightening to watch the news media, and see some of my theories about the fragility of life become a reality.

People around me were scared, jobs were threatened, schools closed, and everyone went into survival mode, and spending stopped as people stayed home, and a whole new reality of life became apparent. We all wore masks, if we had to leave the house, something we all did with much trepidation. Business crashed, including my own, it was a difficult and frightening time to be alive.

Suddenly I had a lot of time on my hands, and so I focused on writing. Getting the last part of HTTK out was a priority, even though I knew few would sell as people sat on their cash, just in case their employers crashed also. I got the book out in July, but was not expecting a great deal, and in order to stay focused, I wrote another related story that went back to the very beginning of Heirs to the Kingdom, which I do hope to publish this year.

With that over with, I had to occupy my thoughts, we came out of the lockdown, only to find ourselves back in another one, so I did what I could with VCP, and then turned back to writing, and a project I shelved back in 2017. Back then I really wanted to write this book, but I was so tied up with Kingdom, it was not possible, I have a file filled with outlined ideas, and story plots, and in mid-October, I was sifting through it, when I came across what was at the time simply labelled ‘Students.’

For those not in the know, as I do keep a lot of my life private, I worked on and off for over twenty five years counselling, and in that time of talking with every generation, I have been privileged enough to gain a lot of insights, to areas of life that are not often visible to most of us.

I read through what was the synopsis for the book, it was late at night and I was really feeling that need to write, which I lovingly refer to as having itchy fingers. I reached the end of the synopsis and quickly realised this would actually make a great start to a story, and would create almost a full first chapter, and that was it, I reached the end, hit enter to drop a line and continued to write for the next five hours, creating notes on the story as I went. Somewhere around dawn, I collapsed into bed mentally exhausted, with a list of main characters, a rough sketched village map, and the first two chapters.

Abigail's Summer by Robin John Morgan. ISBN 978-1-910299-27-2

That became the pattern of my life for the next two weeks, I hammered away everyday making a few more notes, but basically, I was writing blind and, in the dark, just making it up as I went along, never knowing what the next chapter would be about. For myself, it felt like freedom, and reminded me very much of writing the Bowman of Loxley back in 2007, which was the same inspired and intense experience, and I was loving the fact I was writing something nothing at all like Kingdom.

The editing watered it down a little, it was real, very gritty, a little spicy, and had lots of twists and turns in it to keep the reader guessing, and the most wonderful thing about it all, was it contained lots of slightly tongue in cheek, and a little naughty humour. I have always struggled to write humour, Harry in Kingdom was not always an easy thing, and I would spend hours putting each little section riddled with misunderstanding together. Abigail was so different, it just flowed out of me as I thought back to all the stupid and bizarre moments of my own life, and that of friends.

What emerged was a book that whilst not as elaborate and heavily layered as Kingdom, still had a lot of great sub plots and layers, that would all weave through the story to the final ending. I hoped it would provide a good twist, and really engage the reader to take a long hard look at their own life and the lives of those around them. From the few to date that have read it, I think it has worked really well.

I will not deny, the book is very modern and fresh, and very off the cuff, and gritty, and for a lot of readers, I am assuming there will be a few WTF! moments, but I actually like that, books should make people think, and even with Kingdom, I created similar scenarios.

Abigail and her crazy friend Birch, encounter so much unpredictable madness, that it is my hope it keeps the story flowing, so far those who have read think it does, but ultimately the jury is still out on that. The last month of editing and formatting was such an exciting time for me, I guess with Kingdom I have become a little jaded, after 14 years and eight books, and not as excited as I should be, but this book had me chomping at the bit as the deadline drew closer, and seeing it formatted was thrilling, and even more so, as this was the first time, I was putting a digital version out at the same time.

Abigail's Summer, Print and Digital

Digital Kingdoms are coming soon, there has been a lot of set backs getting the right distribution, but that is now sorted and settled, and the Kingdom stories are almost ready, I just held back a little as I wanted to give Abigail a good run first. The day approached and I got the first test print, and it looked amazing, it was also so much fun to work on the cover, as my wife took on the task of cover design for me, and she produced such a great relevant and fantastic picture for it. I really was so excited, and could not wait for the moment when we hit the button, and it was published.

My joy was short lived, the following day when the book appeared on Amazon, it was listed as unavailable, with the comment “We do know when or if this item will be back in stock.” I could not believe it, and checked straight away with the distributor, but it was available and ready to print, it made no sense at all. The following day, June 13th, the book was offered, but the delivery time was ‘one to two months’ Again my happiness was crushed. I checked again with the distributor, they were quite insistent the book was available, as it could be printed and shipped within 3 to 5 working days depending on the number of orders coming in.

Currently Unavailable. We don't know when or if this item will be back in stock

All I can say is, when you are an author and you have put your heart and soul into a book, to experience this, is devastating. No reader is prepared to wait between one and two months for a book. I tried to contact Amazon, which as an author or publisher is impossible, their email no longer works, and their phones lines ring and ring, and when you do get through to the call system, you go round and round, all they are interested in is customer calls, not authors. It was frustrating and gut wrenching, my chances of selling my book were zero, it was literally dead in the water. I tried chat, and got a robot, and again got the same run around, it was impossible to get past it, because there is no chat box to write in, you just have generic answers to press, and no hope of speaking to a human being, and talk to someone who could help me. I cannot write how soul destroying it was to have to go through it. I spoke to another author on a forum who I know quite well, they told me, “They want you to publish with them and use their POD service, if you don’t, get used to this.” Another author told me. “It happened to me, and the only way I could get back on the platform was to give them an even bigger discount.” They added. “My book sells for twelve pounds, and at the end of all of it, I get just one pound and forty pence, after paying the print costs, Amazon takes the rest which is massively more than I make.”

Usually despatched within one to two months.

All Authors use POD (Print on Demand) it is an advanced system which means as you buy the book, it is printed and shipped automatically. Amazon has no reason to list any of our books for more than one month’s deliver time, they simply chose to, because they are a multi billion dollar company that rules supremely over the book world, and no one is big enough to challenge them, and so they can do as they wish, which means delaying delivery of anyone’s books, and it is wrong and it sucks.

Just like last year, it felt like my books were running in sync with my stories, last year I saw a virus not unsimilar in its spread to the one I created for Kingdom, and my latest book Abigail’s Summer, focus’s on the bullying tactics of those who feel they can control everything, and Amazon certainly do when it comes to book sales.

I really love Abigail’s Summer, the characters are probably not what you expect from me, but they really are wonderful, so much so I reached the end of the first book, and knew I could not walk away from them, and so wrote another four stories that took them from their first glorious summer together, right through ten years of life, friendships and troubles. What is now the Curio Chronicles will come out over the next few years, I was lucky, I wrote all of them before the first was even published, so they are done, apart from a few tweaks.

Working hard with VCP at the moment, I am working to make sure I never get hit in the face again. Abigail’s Summer will be available world wide and with a fast delivery to ensure anyone who wants to read it will do, it will take a few weeks to get it set up, but that is ongoing as I write, and in future I will not bother what Amazon does, as I will promote the hell out of the VCP links and do it myself.

To those of you who have stood by me and supported my writing since 2009, I would ask, that if you do read Abigail’s Summer, (If you actually get it before Summer ends) and you do enjoy it, because it is very different from HTTK, please help, share the links, talk, tell your friends, and encourage them to buy it or download it. I am one guy sat at a desk who loves to write, and create great stories, but at the moment that is threatened, as without sales, I will not be able to make it through, and will ultimately have to stop writing. I am working 18-hour days to get this book known and out there.

My story is not a lone one, as other authors have reached out with the same story, and I am helping them to follow my lead and build websites with their own delivery distribution worldwide built in. No one should bend to a bully, and Abigail’s Summer shows that, and I will back up my words in the book 1000%. There is a line in it that feels so appropriate at the moment, and you will find it in chapter thirty-two, and it simply reads.

ADULTS BULLY TOO!

My thanks as always to those who have supported my writing, I hope you all have a peaceful Summer.

The Author’s Kingdom #5

The Author’s Kingdom is a series of articles by Author Robin John Morgan, as he explains some of his reasoning behind how he writes the Heirs to the Kingdom series, as part of the Christmas event for 2016.

The problem with calling a series Heirs to the Kingdom, and making it about the lines of the future, is that eventually someone has to die to make way for the next generation.

There have been many times when a reader has asked me. “Oh why did you have to kill so and so?” Feeling the emotion of their words makes it difficult to simply answer, “because it was their time to go.” Like all other aspects of HTTK there is always a well thought out reason behind the writing, I am not after all George R R Martin, and the removal of a character is never an unfeeling moment within the writing process. Timing is important, actually timing is everything, but to the reader lost in the pages, I know that there is never a good time to take a character forever.

From a personal point of view, I have never believed that death is the end, and I still to this day remember my physics classes from school. ‘Energy does not die, it merely changes its state and continues in another form.’  It is as much my own personal spiritual philosophy as much as it is the basics of science, and with that in mind I have followed my belief and written it into HTTK.

In the early days, I pointed the way with Gwendolyn and Opal, and then I began and followed each character and walked them through the reasons they had to leave, and what follows is my reasoning behind each of them. I love that many of the readers have become as involved with these people as I have in their creation, and the fact that you see them as real, is without doubt the finest compliment I have ever been paid, and so I thank all of you.

ERIC. (Book One)                                                              

Eric was a hard choice, because in my first draft he was never meant to meet his end so early. I had actually created a character to be killed in the silliness that was Harry. He was deliberately written in a comic piece, and never meant to live, but as his popularity soared and I saw the benefit of keeping him, I am sorry to say poor Little Eric became my next target. I will add that he would have gone in book two though, so his demise was a little earlier than expected, but he died for the very same reason.

Eric was always meant to be the one thing that brought everyone together and created a deep bond between the fractured and suffering members of the group. He was young and inexperienced, but dedicated, and that alone gave a privileged within the Specialists who wanted to take him under their wing. I did write a piece in the early days where the Specialists got to see the mass slaughtered people as the Cutters moved north, and Eric’s death was meant to be the thing that cemented them all together at the end of what was a harrowing time. Because I brought his death forward a little, I changed parts towards the end of Book One, and then later wrote a more detailed piece that was added during the journey to save Alice, and that became what I call the mound of red flowers on the edge of Scotland, after the burial of an entire town is butchered by the Cutters.

The Death of Eric in Book One does work so much better and Harry lived, which has actually been to the benefit of HTTK, as Harry has provided some wonderful and interesting moments. Eric’s death as a sacrifice and then the honour showed to him by his comrades I think is some of my best writing, as it really does add weight to the Specialists at a time when I was still trying to paint the basic picture of HTTK before adding in all the detail, so if I am honest, it was a good change that did indeed improve the story.

Hog (Anthony Ashford) Book Two

Hog was a much easier decision in the scheme of things, which probably sounds colder than it is intended, but when writing these books, none of you will understand the pressure I feel at times when it is time for a character to depart. In my mind Hog was an important yet simple loss, you see Hog was James’s younger, simplistic, if not stronger brother. After the death of their parents James (Fish) put his own life on hold to ensure the safety of his brother, but he was destined to be at the side of Amethyst. It was quite a simple decision, you see had Hog lived, James no matter how much he loved Amethyst would never have consented to marry her and move to Avalon and abandon his younger brother. It really was that simple, and so Hog was written out allowing for James to brood and recover from the death of his brother before the introduction of Amethyst into the Specialists. I felt a three book gap would serve as a good period of mourning, and so at the end of five and eventually in book six James finds his happiness besides Amethyst and moved to serve as the Queens consort in the crystal castle in the Mirrored Lake. In a way I think it helped cement the plot, as James deserved to find happiness, and even if Hog had remained at his side, it would still have meant him leaving the Specialists as they made their way back to Loxley, and so the outcome would have been the same. Hog on the stair protecting Runestone made for a far more honourable exit for him, so I think it all worked very well in the end.

Hilda Pickles (Mum to Maggs) Book Two

Most people forget about Hilda, she is the feisty yet very caring older mother of Maggs. She wears pink wellingtons with flowers painted on, puts water bottles under her pigs at night, and cares deeply for all animals and people in the world. It is a shame that few remember her passing, because I loved writing her and was actually quite fond of her, but in all honesty there was no more really to write about Honey Hill at that point. Even though I had considered a return to Honey Hill at some point, during the writing of Book Two it had not been scripted yet as I wanted to see where the story was going naturally, and so I took Hilda out defending her animals from the Cutters in one last act of bravery. However for those of you who have read Book Seven, you will know I decided to add a little tribute to her in honour of her memory.

Martin Reef Book Three.

Once again with Martin I had reached a point where Big John was becoming the principle character of the group close to Robbie and Runestone. Shortly before the writing of Book Three I wrote the piece. “Life from a Crushed Rose.” The story of Rose and Sinclair, and so once I began writing the third book I already knew there would be losses within it. During the book the group separates and each takes their own route up to the top of the castle of the Raven to meet in the final battle, and it started to become clear that I had a few too many running round the castle, and so I gave a great deal of thought to thinning out the group a little.  Hard as it is to maybe understand, Martin was still a minor role that had not be as developed and I had no extra plans for him, whereas I had already pencilled in the partnership of Bear with Big John, and so in the final scene of the fight in the castle Martin is killed by the Dark One. In many ways, I think Martin accurately illustrates the sacrifice solders make every day, and I think there are times when we need to understand this point. Today we have great freedoms due to the sacrifice of many men and women like Martin during the world wars we have suffered in the past. I am absolutely anti-war (Yes even though I write this stuff) and yet I recognise the bravery and dedication our service men show every day, I think in my way Martin is my voice showing this and also showing how simply soldiers pay the highest price along with their families. All of us should feel the pain and the anger Lord Loxley felt, because maybe then we would speak out more against the horrors caused by wars, and petition for more peace.

Mac Book Three.

Ok I am just going to say this once, Mac was based on the characteristics of a group of three individuals who made my life at School a living hell, and so yes, from day one I wrote a character I was never going to like. Mac does serve as an important vehicle, in so much as his mother Una has to show some great strength in future parts of the story, and I have also found that I have gained great strength out of some pretty painful times. Una has given up the life of her other child to save her mother, and puts her focus on raising Mac, who in turn, turns against her and betrays everyone. It was easy to write him as I knew his death was imminent, and I must say I did enjoy those moments where Alice vented her frustrations at him and humiliated him. I also think there is a lesson to be learned from Mac, in so much as he did have a choice, and yet he chose the path of power and domination, which resulted in his life ending on the end of Violet feathered arrow. He could have walked a different path, he chose no too, and that was his undoing.

Lee Sherman. Book Three

I think it was clear from the start that Lee was the last of a generation, and I think it made very simple deduction that he would not last long, he was old and he was ill and he just wanted one more moment of action like he had experienced in his youth with Jake. I really enjoyed writing him into the story and I think he played his role very well indeed.

Rose and Sinclair Book Three

In book five I added the whole piece I had written prior to book three to explain the loss of Rose and the reasons behind it as she made way for Grace. Read the chapter Life from a crushed Rose.

Robert Lox Book Four.

Knowing Robert had to go was never going to be easy to write, and to be honest I wrote his death several times and did not really like any of them. None of them carried the weight of his position and loss as I wanted them too, and so after some frustration instead of writing his death, I slipped in a few lines and then focused on the consequence’s from the point of view of Robbie, Runestone and Jess, and to be honest I think it gave great weight to start of the book. Once again the difficulties of writing these parts often has a positive effect, and Robert’s death inspired one part of the story where Steph talks with Robbie as he heads home from the moors. I really enjoyed putting this small part together for the book, and I think Steph pays Robert a mighty tribute with her words. I think I have said it hundreds of times since, “This series is called HEIRS to the Kingdom” Simply put Robbie is the heir, and so Robert had to go.

Scarlet of Caerleon. Book Four

Once again Scarlet was always going to have to step down in order to make way for her daughter Jett Amber. In the chapter “The Coming of Queens” I paint the first real picture of what is to come with Jett. It is through her grief that you see how much training she had been given, and in a way that chapter was my little tribute to the power that was Scarlet of Caerleon. I have never really decided if there should be an after task for Scarlet, but I have referred to her legacy and skills in working out future events in advance to prepare the defences of Loxley, and once again this shows her the greatest of respect, not just from myself, but from those who worked around her.

Ruby Book Four

Ok some of you still have not forgiven me this one. Put as simply as I can, Ruby can walk onto any battlefield and wipe out the whole army opposed to Robbie in a matter of blindingly white seconds. As long as Ruby lived, there was no longer a need to continue writing HTTK, sadly as much as I loved her  and loved writing her, she had to go so the story could progress, and I had the time and space to fill in all the blanks I had created. I always had a backup plan for Ruby, some of which you will see in Book Seven.

Mordred Book Four

Mordred was not so much killed as dragged screaming from the sword, and disposed of by Rhiannon in some unknown outer reach were the Dark One will never find him again, and that is probably a good thing. There was a very good reason for adding Mordred, and simply put, it was Raven Merle for Book Seven.

Alexandrite Book Five.

The death of Ally was simply a huge shock for everyone. She was a healer, weapon less and one of the gentlest members of the Specialists, and that makes her death so much harder to take. Life is never simple and we do not always get things our own way, and book five shows this to the Specialists in a brutal fashion. It’s the horror of war that the innocent must suffer, and this is another example of how evil war can be. There is no justification for her death, no reason she deserved to die, like so many in this world, she was in the wrong place at the wrong time, she pushed Gaynor out of the way in a selfless manner to save her, and in doing so it cost her her life. Nothing I write will ever make that right, and I certainly will never try.

Leenard/Merlin Book Five.

Did Merlin die, or cover his tracks, there are answers in later books (Smiles)

Deaths that were not Deaths.

Mason Knox Book two.

I love the this moment in Book Two where Mason and Robbie meet. It took a lot longer to write than you would ever think, and I think it was worth it. The joke was it was not his death, or at least I never intended him to stay dead, the clue here is in the next book with Mordred. It was always clear in my mind that if the Dark One can bring back Mordred, most readers would work out she would do it again with Mason. It’s all about the life tied to the Raven, and there will be much more on this subject in the final book.

Jade Opal Book Two.

Ok so Jade did not die, ( be honest we all panicked a little) but she would have if it had not been for the intervention of Runestone. What a horrible choice to have to make, and as you see it causes both Jade and Runestone immense pain. Life is about pain, and one of the reasons I added it was, firstly to actually show you what Una had done to save her mother, and secondly without death, we would not understand the value of life. It is an important lesson for Runestone as she makes the transition from young girl to women, and also as the force of Life within nature, she also needs to understand the worth of the life she gives. I think Runestone learns from this the value of the gift of Eve, and in doing so, she takes life sparingly and only with great reverence. It was a hard lesson, but possibly the most important one she will ever learn.

I realise there are other deaths around the edges, Sebastian being one who made room for his younger brother Bear, although as you see Bear does have another brother in Brett. Brett is older than Bear and should rule next, but in book five he gets crushed, and as it stands he will never recover enough to rule properly, and so he has side stepped his position for later when Bear takes his place.

Treen lost her father in Book Five, something she had to do to fully understand her role in life in the future. It was also important she was seen to be doing something against Mason, so when the time does come, she will be able to return to her home in Morbihan and take her father’s place.

Bess the dog was the sole focus of Woody in Books four and five, and as a result Woody was remaining isolated. In Book Six he takes on a task that will greatly affect his future, and as he recovers from the death of his beloved dog, he will find his inner courage to move forward and finally step out of the shadow of his sheltered life.

As you now see, losing a character is not a discriminate thing, it is well thought out long before the event happens, and it is something I do take seriously as I am sure most writers do. I honestly believe life is the single most precious thing we have, and I feel it should be valued far more than it is in this modern world today. I take a lot of care when writing these losses and try in some way to honour the life given. I know that the readers who have become deeply involved with the characters feel the loss as much as they would any one they may know, and I hope you can see, I try to show the very same level of respect and sensitivity whenever I take a character from the books.